Central Station

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New Media Scotland

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  • Created: 11 months ago
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    • alephnaughtpix

    • jeannette.ginslov

    • louiserossiter

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    • Harry Weeks

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Latest Videos

    • Modified Knights: Crusaders of the Cosmic Forge

    • Ewan Sinclair and Emma Tolmie (2010). Looped DVDs and Mixed Media.  From 'Avalon', The Embassy, Edinburgh Annuale 2010.

    • The Secret Sounds of Spores

    • This video explains the concept of one of my latest projects, which involves creating music automatically from the patterns of spores falling from mushrooms.

    • Untitled Installation (2006)

    • Two men and two women compete in a game of Subbuteo table football using straws. Each game was timed to three minutes for each half. The work studies gender differences when men and women participate in games. Two monitors are set up in a dark gallery space at the distance of one meter.

    • Do I Come From An Imaginary Place That's Based On The Earth And Do I Wear A Hat? (2010)

    • A guessing game for two players. Opponents place the name of a famous person or character on the forehead of one another. The player then guesses their identity by asking questions. Their opponent only answers with yes or no. The video is a double screen installation projected on either side of a projection screen. The audio of each player is present within the gallery space, however the viewer has to actively engage with the installation and move around the space to experience both screens. Part of my body of work exploring play, games, communication, language and interactions.

    • Left Right (2010)

    • walk one | braemar/balmoral forest 2009

    • i was walking in the scottish highlands and forests last year, 2009, and it occurred to me to not just shoot my pov, my seeing the landscape but the action of walking, the proprioception of the action, the affordances, being aware of perceiving, a hyper reflectivity, a phenomenological approach. i wanted to capture not just my body undergoing the affordances but my eyes as well. alva noë refers to this as an "enactive approach" or "behaviour". i wanted to see if i could stimulate all the senses - sight, sound, touch and smell. the eyes and other senses working in a synesthesia. above all i noticed a tactility of my eyes as if they were touching the grass, rocks and trees. i felt wholly immersed in this activity. i noticed how all my senses constantly adjusted to the environment and how i responded physically as well as to what i was thinking - a symbiosis, an interactivity. my next question was how best to capture this. sometimes my camera was in my hands, balanced on my head, dropped or held close to my body in order to try capture the kinaesthetic, the visceral, capturing how we really see when we walk. not just capturing and framing an objective pov. then standing still and listening, observing how the eye of the camera focuses, on objects, making connections with thoughts, prompting thinking, the imagination, making deeper connections.finally listening. in silence the video has no sound making one just observe the camera focusing and adjusting. the cogs in the camera working as our eyes. an experiential experiment. shot with a sony handycamDV PAL 16:9Length: 8min17location: braemar/balmoral region scotlandcamera and editjeanette ginslovcopyrightwalking gusto productions2010  

    • CoNCrEte

    •   CoNCrEte reveals our ever changing responses to the environment, relationships and events that result in a display of emotions and/or affordances. CoNCrEte amplifies the emotional and kinaesthetic using a mixture of hand held Sony handycam rehearsal footage as well as footage with Sony HD Z7 camera. It blends close-ups creating de-familiarization, with wide shots framing the body against a concrete location, uses post modern dance choreographic strategies with authentic emotional expression in an attempt to create haptic and affective imagery. Repetition in the edit considers vertical montage as means of drawing upon the viewer’s empathetic responses. The values behind Concrete Art also influenced the form and content of CoNCrEte. Similarly, Concrete Art uses structure, kinetics, the real, the visible and tangible. It renounces representation and metaphor, is a result of intuition, liberates pictorial expression from expressive tendencies and makes the abstract visible. CoNCrEte reveals real concrete emotions.  Date: 2009  Format: HD PAL 16:9 Length 05:47 Screenings:    1)      Dundee Contemporary Arts  Scotland, MSc Degree Show 04 - 19 September 2009. 2)      Central Station – Interview on skype Duncan of Jordanstone College of Art and Design, 2009 Masters showcase Dundee University, 08 Feb 2010 3)      FilmingDance4web -   Featured on Countries Playlist. Beautiful work! 28 January 2010 http://www.youtube.com/user/FilmingDance4web#p/c/7685A4C9336A681E/33/-a0bb-O9i_s 4)      moves10: FRAMING MOTION | movement on screen | 21-25 APRIL 2010 | LIVERPOOL & UK http://www.movementonscreen.org.uk/search/programme/?short=79041&id=80214 5)      Danish Film Institute for Dansens Dage at  Cinemateket, Gothersgade 55, Copenhagen, Denmark. 29 April 2010 http://www.dfi.dk/Filmhuset/Cinemateket/Serie.aspx?serieID=4989   Credits Concept, Direction and Cameras  Jeannette Ginslov Editor  Jeannette Ginslov Music  Cristian Vogel and James Webb Color & Sound mix Jeannette Ginslov Choreography – in collaboration with performers :  Aaron Jeffrey, Sabine Klaus, Matt Lackford, Tori Myers, Tom Pritchard, Kieran Robb and Deniz Ucok Costumes  Dancer’s own Location Interior and exterior Dundee University Campus, Dundee, Scotland Equipment Media Arts & Imaging Dept, DJCAD, Dundee University, Dundee, Scotland Video produced by  Walking Gusto Productions - multimedia dance theatre Copyright Walking Gusto Productions 2009         

    • Bond Age | Teaser

    • Teaser - Bond Age. Helle Fuglsang performed this piece at her house warming party a few weekends ago. I tried to capture an ironic 70's style as well as a pulp fiction feel. It is all about the woman, her desire, her wild imagination and this cupboard...the full length video soon! Camera and edit: Jeannette Ginslov  Produced: Walking Gusto Productions 2010

    • Trailer | Always Now Slowly - entire show

    • Always Now Slowly final trailer for Running Sculptures. Inspired by the writings of Gertrude Stein. Choreographed by Lars Dahl Pedersen. Camera and edit by Jeannette Ginslov. For more info see http://www.runningsculptures.dk

    • Trailer|Always Now Slowly

    • Trailer | Always Now Slowly | Choreographer Lars Dahl Pedersen | Camera & Edit Jeannette Ginslov | Music: Mikkel Engel Gemzøe | Dancers: Louise Hyun Dahl, Petra Fors, Jonathan David Sikell & Michael Tang Pedersen | Premiere: 04 - 13 March Dansescenen, DanseHallerne, Copenhagen | 19 - 22 March Entré Scenen, Arhs DK

    • Remember It'll All Blow Over (2009)

    • Taking the balloon as an object accossiated with play and childhood, the piece challenges duration and repition. The abstract image and sound also plays with expectation. Ideally screened as a full wall projection.

    • Tramway Family Day Animation

    • This animation was made by children aged 6-11 at Tramway's Family Day, 14th November 2009. The animation was inspired by the Lara Favaretto exhibition in Tramway's exhibition space, T2. To find out more about The Lara Favaretto Exhibition, Tramway and it's programme of events and exhibitions visit http://www.tramway.org or add Tramway as a friend on Facebook: http://www.facebook.com/tramway These videos are now also available online at our YouTube channel: http://www.youtube.com/user/GlasgowTramway  
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Latest images

    • Invisible Labour Isn't Working

    • Walk with Us! Does your profession, hobby or obsession involve wearing historical costume? If so, then we salute you. In fact we are holding a Festival reception in your honour! Meet us at the Scott Monument on Princes Street at 11:00pm on the 7th of August and The Confraternity of Neoflagellants will escort you to a top secret and highly exclusive party at an unco site in Edinburgh Southside where you will be offered free beverages and entertained by some of Scotland’s most infamous bands, DJs and visual artists. All are welcome to join us on our pilgrimage through Auld Reekie. Please ensure that you are wearing historical or ghostly apparel. If you attempt to cross the Styx sheathed in the modern vogue then your adventure will end. Walk with Us on facebookEmail Us Join the Confraternity of Neoflagellants: confraternityofneoflagellants.org.uk   This event has been made possible by support from the Scottish Government's Edinburgh Festivals Expo Fund for the Edinburgh Art Festival 2010, Central Station, New Media Scotland and Inspace.  Design by Robby Ogivie

    • Photocopy

    • Photo416.jpg

    • During December 2009, Vesterbro Station in Copenhagen was transformed. For a few weeks I took photographs of this with my Samsung cellphone. It was as if each stage of development was a staged performance or platform, a still life. I had to photograph them. Each morning is was as if someone had come in overnight and used more concrete to cover, transform and obliterate what was there before - a work in progress. Then one day it was done!   

    • Photo400.jpg

    • During December 2009, Vesterbro Station in Copenhagen was transformed. For a few weeks I took photographs of this with my Samsung cellphone. It was as if each stage of development was a staged performance or platform, a still life. I had to photograph them. Each morning is was as if someone had come in overnight and used more concrete to cover, transform and obliterate what was there before - a work in progress. Then one day it was done!   

    • Photo415.jpg

    • During December 2009, Vesterbro Station in Copenhagen was transformed. For a few weeks I took photographs of this with my Samsung cellphone. It was as if each stage of development was a staged performance or platform, a still life. I had to photograph them. Each morning is was as if someone had come in overnight and used more concrete to cover, transform and obliterate what was there before - a work in progress. Then one day it was done!   

    • Photo434.jpg

    • During December 2009, Vesterbro Station in Copenhagen was transformed. For a few weeks I took photographs of this with my Samsung cellphone. It was as if each stage of development was a staged performance or platform, a still life. I had to photograph them. Each morning is was as if someone had come in overnight and used more concrete to cover, transform and obliterate what was there before - a work in progress. Then one day it was done!   

    • Photo493.jpg

    • During December 2009, Vesterbro Station in Copenhagen was transformed. For a few weeks I took photographs of this with my Samsung cellphone. It was as if each stage of development was a staged performance or platform, a still life. I had to photograph them. Each morning is was as if someone had come in overnight and used more concrete to cover, transform and obliterate what was there before - a work in progress. Then one day it was done!   

    • Concrete Photos

    • During December 2009, Vesterbro Station in Copenhagen was transformed. For a few weeks I took photographs of this with my Samsung cellphone. It was as if each stage of development was a staged performance or platform, a still life. I had to photograph them. Each morning is was as if someone had come in overnight and used more concrete to cover, transform and obliterate what was there before - a work in progress. Then one day it was done!   

    • Concrete Photos

    • During December 2009, Vesterbro Station in Copenhagen was transformed. For a few weeks I took photographs of this with my Samsung cellphone. It was as if each stage of development was a staged performance or platform, a still life. I had to photograph them. Each morning is was as if someone had come in overnight and used more concrete to cover, transform and obliterate what was there before - a work in progress. Then one day it was done!   

    • Concrete Photos

    • During December 2009, Vesterbro Station in Copenhagen was transformed. For a few weeks I took photographs of this with my Samsung cellphone. It was as if each stage of development was a staged performance or platform, a still life. I had to photograph them. Each morning is was as if someone had come in overnight and used more concrete to cover, transform and obliterate what was there before - a work in progress. Then one day it was done!   

    • Concrete Photos

    • During December 2009, Vesterbro Station in Copenhagen was transformed. For a few weeks I took photographs of this with my Samsung cellphone. It was as if each stage of development was a staged performance or platform, a still life. I had to photograph them. Each morning is was as if someone had come in overnight and used more concrete to cover, transform and obliterate what was there before - a work in progress. Then one day it was done!   

    • Concrete Photos

    • During December 2009, Vesterbro Station in Copenhagen was transformed. For a few weeks I took photographs of this with my Samsung cellphone. It was as if each stage of development was a staged performance or platform, a still life. I had to photograph them. Each morning is was as if someone had come in overnight and used more concrete to cover, transform and obliterate what was there before - a work in progress. Then one day it was done!   

    • Niftymitter v0.24

    • An open source short range radio transmitter, mid development. www.openthing.org

    • Ecole, Aix en Provence 3

    • Images of the art school, Ecole Superiore d'Art d'Aix en Provence. The school building is due to be demolished over the next few years. Sound recordings of the architectural spaces, conversation and traces of movment accompany this photography to help create an anthropological document of the structure and of the presence of the people who use the space.

Comments

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  • Hello NMS.
    It was nice to meet you in Dundee. Looking forward to visiting the INspace... is it open on Friday? I'm at ECA that day... Em
    emlyn, 11 months ago| Flag

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